Sony FX6 vs Z-Cam E2-M4
SOURCE ARTICLES
DPReview TV: Sony FX6 Review
www.dpreview.com
The Sony FX6 is reviewed in comparison to the Sony a7S III. The FX6 is described as a cinema camera version of the a7S III. The review discusses how the FX6 compares to the a7S III and which one the reviewer would choose.
Sony FX6 reviewed – the lowlight cinema camera champion
www.videomaker.com
The Sony FX6 is a lightweight and fully featured full-frame cinema camera. It has a larger sensor, new media options, higher frame rates, and XAVC-I 10bit 422 internal capture. The camera is small and light, with an adjustable smart grip and multiple mounting points for the monitor. It has two card slots that accept UHS-II or UHS-I SDXC cards, as well as CFexpress Type A cards for higher frame rates. The camera has flexible audio options with two XLR inputs and the ability to capture up to 4 channels at once. It has a 10.2 megapixel back-illuminated CMOS Exmor R sensor and offers S-Log3, S-Gamut3, S-Gamut3.Cine, and S-Cinetone. The FX6 features an electronic variable ND filter that allows for smooth transitions and a rack focus effect. It has fast hybrid autofocus with face-detect AF and real-time eye AF. The camera has impressive low light performance with an ISO range up to ISO 409,600. It offers multiple battery options and has a dynamic range of 15+ stops. The FX6 has a rolling shutter, but it is minimal and not a problem. It uses the Sony E Mount and has a wide range of lenses available. The FX6 is a solid cinema camera with incredible low light performance and high frame rate capture. The autofocus could be improved, but overall it is a great choice for narrative filmmaking, documentary filmmaking, run and gun videography, corporate and event videography, and marketing video production. The body of the camera is priced at $6,000, with kit options available.
5 Takeaways from Alister Chapman’s ‘Definitive’ Sony FX6 Review
nofilmschool.com
The Sony FX6 is a powerful camera with a 10.2MP full-frame sensor and Bionz XR image processor. It offers 4K recording up to 120p with 10-bit 4:2:2 color depth. The camera has filmmaker-friendly features like built-in ND filters, XLR audio, and a modular design. The autofocus is impressive, with excellent tracking and face detection capabilities. The FX6 offers various recording modes, including 23.98fps and straight 24fps, and supports the widely accepted XAVC-I codec. It features S-Cinetone for a filmic look and has useful zebras for exposure monitoring. The Cine EI mode allows for log shooting and easy color grading. Overall, the FX6 delivers high-quality images and is a great addition to the Sony Cinema Line.
The New Sony FX6 - The Definitive Review by Alister Chapman
The Sony FX6 camera has dual card slots that can accept SD cards or CFExpress Type A cards. CFExpress cards offer faster transfer speeds. The camera can record in UHD and DCI 4K, with various frame rates available. It uses the same codecs as the FX9, allowing for 10-bit 4:2:2 recordings. The default setup includes the S-Cinetone gamma curve for a film-like look. Exposure aids include zebras and a signal monitor with waveform, vectorscope, and histogram displays.
Sony FX6 Review First Look – An Almost Perfect Camera
The Sony FX6 is a compact and lightweight camera that offers excellent recording quality and low-light performance. It has a versatile form factor and features like electronic variable ND filter and touch screen. The camera shares similarities with the a7S III and FX9, but offers unique capabilities such as RAW output without the need for additional accessories. It has impressive frame rates and autofocus functionality, making it a great choice for indie filmmakers. The FX6 is expected to be the successor to the FS7 and will be available in December for $5,998 or €5,500.
An Honest Review Of The Sony FX6 — Farmore
The Sony FX6 camera has a strong and durable top handle with great audio features. It is reliable and durable in various climates. The camera offers a variety of codecs and resolutions, with the XAV-L codec being recommended for long interviews or multicam shoots. The dual native ISOs of 800 and 12,800 provide excellent low light capabilities. The only downsides are the handle's locking mechanism, limited options in Super 35 mode, and the current difficulty in purchasing the camera due to supply chain issues. Overall, the camera is highly recommended with minimal issues.
Six Weeks Earlier: Z Cam E2-F6 & E2-M4
The Z Cam E2-F6 and E2-M4 cameras now have Prores 422 internal recording, replacing the previous H265 limitation for high frame rates. The reviewer used the E2-F6 to film slow-motion footage of snow and the main shopping street, while the E2-M4 was used for match shots on a warm day. Various lenses and adaptors were used for both cameras. The F6 is highly recommended for its clean image and scan modes.
Z-CAM's new E2-M4 is an affordable 4K Raw-shooting cinema camera with livestreaming
The Z-CAM E2-M4 is an affordable 4K Raw-shooting cinema camera with livestreaming capabilities. It is a lower-cost version of the E2 camera, lacking only multi-cam synchronization. The camera can record Raw footage, has 13 stops of dynamic range, and shoots 4K video at 160fps with 10-bit color. It can output a stream that can be encoded as ProRes RAW by the Atomos Ninja V. The camera also supports internal recording in Z-Raw and live-streaming via Gigabit Ethernet. It uses a Four Thirds sensor format and is compatible with Micro Four Thirds lenses. The Z-CAM E2-M4 is priced at $1499 and is available for pre-order.
Z CAM E2 Cinema Camera in the Wild – Hands-on Review
The Z CAM E2 cinema camera is a micro four thirds camera that offers 4k DCI ProRes HQ recording and impressive image quality. It has a dynamic range of 10.8 stops and a rolling shutter of 11.1ms. The camera's build quality is top-notch and it can withstand harsh conditions. The Z CAM E2 also has a helpful Facebook group and smartphone app for easy access to settings. However, it faces competition from the Blackmagic Pocket Cinema Camera 4K, which is cheaper and offers more dynamic range. Overall, the Z CAM E2 is a great choice for filmmakers looking for a compact and capable cinema camera.
Review: Z Cam E2-M4 MFT Cine Camera, part 3 by Adam Wilt
The Z Cam E2-M4 is a compact and affordable MFT cine camera that offers high-resolution capture, internal raw and ProRes recording, and high frame rates without compromising image quality. It has 13 stops of dynamic range, clean high ISO performance, and neutral color rendering. The camera has interchangeable lens mounts and can be controlled and monitored using an iOS app. It has some rough edges in terms of software and lacks certain features like timecode output and fine-tuning of shutter speed. Overall, it offers a lot of features and capabilities for its price point.
Z-cam E2-M4 is worth a second look now that it does Pro Res internally at all frame rates including 4k @ 120fps, 4K 2.4:1 @ 160fps & 1080p @ 240fps.
The Z-cam E2-M4 now supports Pro Res internally at all frame rates, including 4k @ 120fps, 4K 2.4:1 @ 160fps, and 1080p @ 240fps. The reviewer discusses the conversion to Linear and the potential for clipping, suggesting that using a CST (Color Space Transform) can prevent this issue. They also mention the importance of not relying solely on LUTs for color space transformation. The ZCam OSX is praised for its performance and potential for growth as a brand. However, some drawbacks are mentioned, such as the need for multiple dongles for timecode, lack of SDI, audio clipping problems, and messy menus. Overall, the Z-cam E2-M4 is considered an exciting camera with a strong core product.
Z CAM E2-M4 vs Blackmagic Pocket Cinema Camera 4K — Which Should You Buy?
The Z CAM E2-M4 and Blackmagic Pocket Cinema Camera 4K are both affordable and offer impressive image quality. The Z CAM E2-M4 can shoot 4K at 160fps, while the BMPCC4K can shoot 4K at 75fps. The Z CAM E2-M4 also offers ZRAW recording, but it has limitations in terms of compatibility and requires additional equipment for ProRes RAW recording. The BMPCC4K has a built-in monitor, but both cameras require an external monitor for clear viewing. The Z CAM E2-M4 has a more solid build and offers more mounting options. Both cameras have a Micro Four Thirds mount and are suitable for live streaming. The BMPCC4K comes with DaVinci Resolve, while the Z CAM E2-M4 is compatible with Premiere Pro. Ultimately, the choice depends on individual needs and preferences.
Review: Z Cam E2-M4 MFT Cine Camera, part 1 by Adam Wilt
The Z Cam E2-M4 is a compact MFT cine camera that offers 4K resolution and 13 stops of dynamic range. It has good low light and high frame rate capabilities with minimal picture degradation. The camera can capture ProRes, ZRAW, H.265, and H.264 formats. It has a flexible design and can be controlled and monitored using Z Cam's iOS app. The camera has various interchangeable lens mounts and offers options for electronic ND filters and speed booster relay lenses. It has a solid build quality and offers a wide range of capture formats and recording options. The camera also has features like autofocus, image profiles, exposure and white balance controls, and HDMI output.
+ 10
AI COMPARISON
Comparison Table
| Feature | Sony FX6 | Z-Cam E2-M4 |
|---|---|---|
| Megapixels | 10.2 MP | 10.28 MP |
| Video Recording (fps) | 129600 | 166320 |
| Screen Size (inches) | 3.5 | N/A |
| Thickness (mm) | 153 | 95.6 |
| Weight (g) | 890 | 1160 |
| System Camera | Yes | No |
| Slow Motion Video Recording | Yes | N/A |
| Touch Screen | Yes | No |
| Optical Image Stabilization | Yes | No |
| Manual Controls | Yes | Yes |
| External Memory Slot | Yes | No |
| WiFi | Wi-Fi 5, Wi-Fi 4 | None |
| HDMI | Yes | Yes |
| USB Type-C | Yes | Yes |
| Price | Higher | Lower ($1495 for 4K raw) |
| Special Features | - Back-illuminated CMOS sensor<br>- Dual card slots for SD/CFExpress Type A<br>- 15+ stops of dynamic range<br>- Hybrid autofocus with face and eye detect | - Internal ProRes and Z Raw recording<br>- High frame rates up to 160 fps in 4K<br>- Live-streaming capability<br>- Multiple power options including Canon LP-E6, Sony NP-F, and D-Tap |
Summary
The Sony FX6 is characterized as a full-frame cinema camera with impressive low-light capabilities and a versatile feature set ideal for professional filmmakers. It offers a back-illuminated CMOS sensor, dual card slots, and 15+ stops of dynamic range. Its hybrid autofocus system with face and eye detection is highly appreciated for accuracy, especially in dynamic shooting environments. Additionally, it provides diverse media and battery options, enhancing its utility for extended shooting sessions. It's noted for its robust build and ergonomic design, albeit at a higher price point.
The Z-Cam E2-M4, on the other hand, is praised for its affordability and high performance in the cinema camera category, with the ability to shoot 4K Raw and live-stream directly. Although it lacks multi-cam synchronization and has fewer professional features compared to higher-end models, it offers significant capabilities such as high frame rates, internal ProRes and Z Raw recording, and flexible power options. Its lightweight and compact design make it suitable for dynamic shooting conditions, though it may require additional rigging for full functionality.
Recommendations
For independent filmmakers and those on a tighter budget, the Z-Cam E2-M4 offers significant value, providing high-quality video capabilities at a lower cost. Its high frame rate and internal raw recording make it suitable for versatile shooting scenarios, especially where mobility and budget are constraints.
For professional cinematographers and videographers who require a camera with comprehensive features and exceptional performance, particularly in challenging lighting conditions, the Sony FX6 is highly recommended. Its robust build, superior autofocus, and extensive dynamic range make it ideal for high-end productions that demand reliability and high-quality output.
PRICES
ASK AI
BestVs.ai
Hello, I'm your AI shopping assistant. How can I help you?
AI can make mistakes. Consider checking important information.
