Sony FX6 vs Z CAM E1

The New Sony FX6 - The Definitive Review by Alister Chapman

The Sony FX6 camera has dual card slots that can accept SD cards or CFExpress Type A cards. CFExpress cards offer faster transfer speeds. The camera can record in UHD and DCI 4K, with various frame rates available. It uses the same codecs as the FX9, allowing for 10-bit 4:2:2 recordings. The default setup includes the S-Cinetone gamma curve for a film-like look. Exposure aids include zebras and a signal monitor with waveform, vectorscope, and histogram displays.

Sony FX6 Review First Look – An Almost Perfect Camera

The Sony FX6 is a compact and lightweight camera that offers excellent recording quality and low-light performance. It has a versatile form factor and features like electronic variable ND filter and touch screen. The camera shares similarities with the a7S III and FX9, but offers unique capabilities such as RAW output without the need for additional accessories. It has impressive frame rates and autofocus functionality, making it a great choice for indie filmmakers. The FX6 is expected to be the successor to the FS7 and will be available in December for $5,998 or €5,500.

An Honest Review Of The Sony FX6 — Farmore

The Sony FX6 camera has a strong and durable top handle with great audio features. It is reliable and durable in various climates. The camera offers a variety of codecs and resolutions, with the XAV-L codec being recommended for long interviews or multicam shoots. The dual native ISOs of 800 and 12,800 provide excellent low light capabilities. The only downsides are the handle's locking mechanism, limited options in Super 35 mode, and the current difficulty in purchasing the camera due to supply chain issues. Overall, the camera is highly recommended with minimal issues.

Z-camera E1 the B-roll Bombshell

The Z-camera E1 is a compact Micro 4/3 camera that offers excellent video performance. It has a variety of ports and a user-friendly interface. The camera's small size is a disadvantage for photography, but it excels in video capabilities. The E1 lacks in-body stabilization but can be compensated with certain lenses. Its bitrate is lower compared to professional gear, but it is still suitable for most users. The provided app allows complete control over the camera settings and offers various video modes. Overall, the E1 is a great option for those looking for a step above smartphone photography without breaking the bank.

The Z Camera E1- The world’s smallest Micro Four Thirds interchangeable lens 4K camera

The Z Camera E1 is a small 4K camera that uses a Micro Four Thirds interchangeable lens system. It is suitable for a wide range of applications and can be paired with other cameras as a B camera. The camera uses a 6 megapixel Panasonic image sensor and can record 4K and UHD video. It has built-in Wi-Fi and Bluetooth for remote control and syncing with mobile devices. The camera is made of magnesium alloy and has a 2.5 inch LCD display. It is priced at $699 and is expected to ship in December 2015.

The $199 Z Camera E1 vs Panasonic GH4: 4K Video: Micro Four Thirds Talk Forum: Digital Photography Review

The Z Camera E1, priced at $199, is compared to the Panasonic GH4 in terms of 4K video capabilities. The E1 initially had firmware issues, but the October update improved autofocus and other features. The sensor in the E1 is the same as the GH4, so performance should be similar. A comparison video with the Leica Nocticron f1.2 lens shows the cameras' performance.

Z-Camera E1 Review

The Z-Camera E1 is not an action camera, despite its size and marketing. It is better suited as a micro-cinematic camera, perfect for small areas and unique shots. It has a shallow depth of field and a rolling shutter effect, making it unsuitable for action shots. It can shoot in UHD and cinematic 4K, but its data rates are lower than other cameras. The E1 is not a primary camera but is great for b-roll, pre-visualization, and tight spaces. It is revolutionary in its own category but needs better marketing. The camera has autofocus and focus reset issues, but overall it is a versatile and impressive piece of machinery.

Trying the Z Cam E1: image quality good, everything else bad.

The Z Cam E1 offers good image quality but falls short in functionality. The auto-focus is useless, manual focus lacks assistance, and it doesn't work properly with some lenses. The remote app freezes easily. It is only usable when set up manually on a tripod. For beginners, it may be tempting but difficult to use. Experienced videographers may find it practical for static shots, but a used Panasonic G7 offers more features at a similar price. Despite a few desirable features, the Z Cam E1's severe problems make it hard to justify purchasing.