Sony FX6 vs Sony PMW-F55 CineAlta
SOURCE ARTICLES
DPReview TV: Sony FX6 Review
www.dpreview.com
The Sony FX6 is reviewed in comparison to the Sony a7S III. The FX6 is described as a cinema camera version of the a7S III. The review discusses how the FX6 compares to the a7S III and which one the reviewer would choose.
Sony FX6 reviewed – the lowlight cinema camera champion
www.videomaker.com
The Sony FX6 is a lightweight and fully featured full-frame cinema camera. It has a larger sensor, new media options, higher frame rates, and XAVC-I 10bit 422 internal capture. The camera is small and light, with an adjustable smart grip and multiple mounting points for the monitor. It has two card slots that accept UHS-II or UHS-I SDXC cards, as well as CFexpress Type A cards for higher frame rates. The camera has flexible audio options with two XLR inputs and the ability to capture up to 4 channels at once. It has a 10.2 megapixel back-illuminated CMOS Exmor R sensor and offers S-Log3, S-Gamut3, S-Gamut3.Cine, and S-Cinetone. The FX6 features an electronic variable ND filter that allows for smooth transitions and a rack focus effect. It has fast hybrid autofocus with face-detect AF and real-time eye AF. The camera has impressive low light performance with an ISO range up to ISO 409,600. It offers multiple battery options and has a dynamic range of 15+ stops. The FX6 has a rolling shutter, but it is minimal and not a problem. It uses the Sony E Mount and has a wide range of lenses available. The FX6 is a solid cinema camera with incredible low light performance and high frame rate capture. The autofocus could be improved, but overall it is a great choice for narrative filmmaking, documentary filmmaking, run and gun videography, corporate and event videography, and marketing video production. The body of the camera is priced at $6,000, with kit options available.
5 Takeaways from Alister Chapman’s ‘Definitive’ Sony FX6 Review
nofilmschool.com
The Sony FX6 is a powerful camera with a 10.2MP full-frame sensor and Bionz XR image processor. It offers 4K recording up to 120p with 10-bit 4:2:2 color depth. The camera has filmmaker-friendly features like built-in ND filters, XLR audio, and a modular design. The autofocus is impressive, with excellent tracking and face detection capabilities. The FX6 offers various recording modes, including 23.98fps and straight 24fps, and supports the widely accepted XAVC-I codec. It features S-Cinetone for a filmic look and has useful zebras for exposure monitoring. The Cine EI mode allows for log shooting and easy color grading. Overall, the FX6 delivers high-quality images and is a great addition to the Sony Cinema Line.
The New Sony FX6 - The Definitive Review by Alister Chapman
The Sony FX6 camera has dual card slots that can accept SD cards or CFExpress Type A cards. CFExpress cards offer faster transfer speeds. The camera can record in UHD and DCI 4K, with various frame rates available. It uses the same codecs as the FX9, allowing for 10-bit 4:2:2 recordings. The default setup includes the S-Cinetone gamma curve for a film-like look. Exposure aids include zebras and a signal monitor with waveform, vectorscope, and histogram displays.
Sony FX6 Review First Look – An Almost Perfect Camera
The Sony FX6 is a compact and lightweight camera that offers excellent recording quality and low-light performance. It has a versatile form factor and features like electronic variable ND filter and touch screen. The camera shares similarities with the a7S III and FX9, but offers unique capabilities such as RAW output without the need for additional accessories. It has impressive frame rates and autofocus functionality, making it a great choice for indie filmmakers. The FX6 is expected to be the successor to the FS7 and will be available in December for $5,998 or €5,500.
An Honest Review Of The Sony FX6 — Farmore
The Sony FX6 camera has a strong and durable top handle with great audio features. It is reliable and durable in various climates. The camera offers a variety of codecs and resolutions, with the XAV-L codec being recommended for long interviews or multicam shoots. The dual native ISOs of 800 and 12,800 provide excellent low light capabilities. The only downsides are the handle's locking mechanism, limited options in Super 35 mode, and the current difficulty in purchasing the camera due to supply chain issues. Overall, the camera is highly recommended with minimal issues.
Sony PMW-F55 CineAlta 4K Digital Cinema Camera
The Sony PMW-F55 CineAlta 4K Digital Cinema Camera is a versatile and modular system with a global shutter, 8.9MP Super 35mm image sensor, and 14 stops of dynamic range. It can capture 4K, 2K, and HD resolution video in various formats. Optional components include bolt-on recording units, digital viewfinders, and camera support rigs. It uses SxS PRO+ memory cards for high data rate recording and has a wide color gamut.
Ideal lens solution for F5 & F55, review Canon 17-120mm servo at DVinfo.net
The Canon 17-120mm servo lens is an ideal all-in-one zoom solution for the F5 and F55 cameras. It offers a better range than the Cabrio lens, with only a slight increase in weight and length. The lens weighs 2.9 kg and can be balanced well with the Zacuto universal plate. It is recommended to use support rods and lens support for added stability. The lens is compatible with any 100mm bowl tripod and has a front port for additional protection.
Challenges to using the Sony PMW-F55 in 2022
The Sony PMW-F55 is a top-of-the-line camera from 2013 with impressive features, but it comes with challenges. The camera's accessories are expensive, and media storage is limited and costly. The operating system feels outdated, and the camera is heavy compared to newer models. While the F55 produces great images, the reviewer is drawn to lighter weight and autofocus capabilities of newer cameras. They are considering upgrading to a camera that offers more convenience and fun.
Sony PMW-F55 Turns 10 – Is It Still Worth It?
The Sony PMW-F55, a 10-year-old camera, still offers impressive features such as a 4K S35 Global Shutter sensor and 16-bit RAW recording. It has a bulky form factor compared to newer cameras like the Sony FX3 and FX6. While the camera body is affordable, accessories like the AXS-R7 unit and AXSM media cards can be expensive. A used Sony PMW-F55 kit is available for purchase at CVP for €4.150.
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AI COMPARISON
Product Comparison Table
| Feature | Sony FX6 | Sony PMW-F55 CineAlta |
|---|---|---|
| Megapixels | 10.2 MP | 8.9 MP |
| Video Recording (fps) | 129600 fps | 129600 fps |
| Thickness (mm) | 153 | 210 |
| Screen Size (inch) | 3.5 | N/A (Flip-out screen available) |
| Weight (g) | 890 | 2200 |
| Battery Power (mAh) | N/A | 6600 |
| Movie Bitrate (Mbps) | N/A | 440 |
| Max Shutter Speed (s) | N/A | 0.000166 |
| System Camera | Yes | Yes |
| Slow Motion Video Rec. | Yes | N/A |
| CMOS | Yes | Yes |
| 4K Recording | Yes | Yes |
| Manual Controls | Yes (Exposure, White Balance, Focus) | Yes (White Balance) |
| In-body Stabilization | No | No |
| External Memory Slot | Yes | Yes |
| Wifi Capability | wifi_5, wifi_4 | None |
| HDMI Output | Yes | Yes |
| Audio Inputs | Two XLR Inputs | XLR Ports |
| Recording Media | UHS-II or UHS-I SDXC, CFexpress Type A | SxS PRO+, AXS-R5 for 16-bit raw |
Summary of Product Reviews
The Sony FX6 emerges as a high-performing cinema camera noted for its lightweight and compact design, remarkable low light performance, and versatile recording formats. It excels in ergonomics with features like an adjustable smart grip and dual card slots supporting newer CFexpress cards. The FX6's strength lies in its dynamic range, autofocus system, and multiple mounting options. However, its touch screen functionality and lack of in-body stabilization could be seen as minor drawbacks.
In contrast, the Sony PMW-F55 CineAlta is recognized for its robust feature set suitable for professional cinema production, including a Super 35mm sensor, global shutter to avoid distortion, and versatile modularity allowing for numerous custom setups. It supports 16-bit raw recording with high-speed frame rates but relies on heavier and more costly AXS memory. Its bulkier and heavier build, along with a less intuitive user interface and no wifi capability, positions it as less versatile compared to newer models.
Recommendations
For indie filmmakers and videography enthusiasts who need a portable and powerful camera, the Sony FX6 is the recommended choice due to its superior ergonomics, low-light capabilities, and modern media support.
For professional cinematographers who require high flexibility in post-production and can manage the heftier form factor and specific memory media, the Sony PMW-F55 CineAlta offers a compelling option with its high-quality image capture, global shutter, and wide dynamic range.
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