Panasonic Lumix DC-BGH1 vs Sony FX6

Panasonic BGH1 is Netflix-approved: Micro Four Thirds Talk Forum: Digital Photography Review

The Panasonic BGH1 is Netflix-approved and offers ProRes RAW, which is beneficial for 1:1 pixel requirements. However, there are still questions about the benefits of ProRes RAW compared to V-LOG compression. The Olympus camera's ProRes RAW crops the sensor and may not be useful for Atomos Ninja V users. The presence of cropping can be a deal breaker for indoor shooting.

Panasonic Lumix BGH1 review

The Panasonic Lumix BGH1 is a versatile box camera that can be customized for various purposes. It lacks a viewfinder or LCD screen, but has built-in tech for live streaming and remote camera use. It features a 10.2-megapixel Live MOS sensor with improved dynamic range, and can record C4K in 4:2:2 10-bit All-Intra. The camera offers multiple mounting sockets for accessories, and supports anamorphic shooting and slow motion. It has various connections for external devices and can be controlled via smartphone app. The camera is compact, lightweight, and durable, with a cooling fan for unlimited recording. It delivers clean and detailed footage, and has a precise autofocus system. Overall, the BGH1 is a multi-use camera suitable for professional applications.

Hands-on with the new Panasonic Lumix DC-BGH1

The Panasonic Lumix DC-BGH1 is a versatile box-style video camera with an oversized Four Thirds sensor. It offers a wide range of features and can be connected to various devices based on individual needs. The camera aims to provide users with the specific features they require.

DPReview TV: Sony FX6 Review

The Sony FX6 is reviewed in comparison to the Sony a7S III. The FX6 is described as a cinema camera version of the a7S III. The review discusses how the FX6 compares to the a7S III and which one the reviewer would choose.

Sony FX6 reviewed – the lowlight cinema camera champion

The Sony FX6 is a lightweight and fully featured full-frame cinema camera. It has a larger sensor, new media options, higher frame rates, and XAVC-I 10bit 422 internal capture. The camera is small and light, with an adjustable smart grip and multiple mounting points for the monitor. It has two card slots that accept UHS-II or UHS-I SDXC cards, as well as CFexpress Type A cards for higher frame rates. The camera has flexible audio options with two XLR inputs and the ability to capture up to 4 channels at once. It has a 10.2 megapixel back-illuminated CMOS Exmor R sensor and offers S-Log3, S-Gamut3, S-Gamut3.Cine, and S-Cinetone. The FX6 features an electronic variable ND filter that allows for smooth transitions and a rack focus effect. It has fast hybrid autofocus with face-detect AF and real-time eye AF. The camera has impressive low light performance with an ISO range up to ISO 409,600. It offers multiple battery options and has a dynamic range of 15+ stops. The FX6 has a rolling shutter, but it is minimal and not a problem. It uses the Sony E Mount and has a wide range of lenses available. The FX6 is a solid cinema camera with incredible low light performance and high frame rate capture. The autofocus could be improved, but overall it is a great choice for narrative filmmaking, documentary filmmaking, run and gun videography, corporate and event videography, and marketing video production. The body of the camera is priced at $6,000, with kit options available.

5 Takeaways from Alister Chapman’s ‘Definitive’ Sony FX6 Review

The Sony FX6 is a powerful camera with a 10.2MP full-frame sensor and Bionz XR image processor. It offers 4K recording up to 120p with 10-bit 4:2:2 color depth. The camera has filmmaker-friendly features like built-in ND filters, XLR audio, and a modular design. The autofocus is impressive, with excellent tracking and face detection capabilities. The FX6 offers various recording modes, including 23.98fps and straight 24fps, and supports the widely accepted XAVC-I codec. It features S-Cinetone for a filmic look and has useful zebras for exposure monitoring. The Cine EI mode allows for log shooting and easy color grading. Overall, the FX6 delivers high-quality images and is a great addition to the Sony Cinema Line.

The New Sony FX6 - The Definitive Review by Alister Chapman

The Sony FX6 camera has dual card slots that can accept SD cards or CFExpress Type A cards. CFExpress cards offer faster transfer speeds. The camera can record in UHD and DCI 4K, with various frame rates available. It uses the same codecs as the FX9, allowing for 10-bit 4:2:2 recordings. The default setup includes the S-Cinetone gamma curve for a film-like look. Exposure aids include zebras and a signal monitor with waveform, vectorscope, and histogram displays.

Sony FX6 Review First Look – An Almost Perfect Camera

The Sony FX6 is a compact and lightweight camera that offers excellent recording quality and low-light performance. It has a versatile form factor and features like electronic variable ND filter and touch screen. The camera shares similarities with the a7S III and FX9, but offers unique capabilities such as RAW output without the need for additional accessories. It has impressive frame rates and autofocus functionality, making it a great choice for indie filmmakers. The FX6 is expected to be the successor to the FS7 and will be available in December for $5,998 or €5,500.

An Honest Review Of The Sony FX6 — Farmore

The Sony FX6 camera has a strong and durable top handle with great audio features. It is reliable and durable in various climates. The camera offers a variety of codecs and resolutions, with the XAV-L codec being recommended for long interviews or multicam shoots. The dual native ISOs of 800 and 12,800 provide excellent low light capabilities. The only downsides are the handle's locking mechanism, limited options in Super 35 mode, and the current difficulty in purchasing the camera due to supply chain issues. Overall, the camera is highly recommended with minimal issues.