Canon XF605 vs Sony FX6

Canon XF605: Digital Video Talk Forum: Digital Photography Review

The reviewer is seeking recommendations for resolution and codec settings for shooting with the Canon XF605. They are considering 4K resolution but are concerned about the large amount of data it will produce. They also want a codec that allows for flexibility in editing, preferably with forgiving files for exposure, color, and white balance adjustments. The reviewer is leaning towards shooting at 24fps and mentions the benefits of shooting in a wide dynamic range gamma. The XF-AVC format offers both intraframe and long GOP compression options, while the MP4 format uses long GOP compression with H264 or H265 codecs. H265 MP4 is recommended for 4K video due to its lower bitrate and greater editing flexibility. The reviewer notes that Canon video cameras are different from still cameras and have a smaller sensor size.

Review: Canon XF605 Professional Camcorder

The Canon XF605 is a professional camcorder that offers excellent value and versatility. It can record high-quality 4K footage and has a range of recording modes and frame rates. The lens is of high quality and offers a focal length of 25.5mm to 382.5mm. The camcorder has various I/O connections, including SDI, HDMI, XLR, and USB. It is easy to set up and has a compact size. The XF605 is suitable for both studio and location use, making it a versatile option. It has dual card slots and can record continuously. The camcorder is priced at $4,699, but its value justifies the price. Overall, the Canon XF605 is a reliable and well-built camcorder.

Review: Canon XF605 4K UHD Pro Camcorder

The Canon XF605 4K UHD Pro Camcorder is a high-performance camera that offers improved battery life, lighter weight, and better low-light performance compared to its predecessor, the XF705. It also has the ability to shoot at higher frame rates and color spaces, but requires more expensive SDXC cards. The camera's image stabilization function while on a tripod is a bit problematic, but overall, the XF605 delivers excellent image quality and functionality. While it may be more expensive than other camcorders in its class, the XF605 is worth the investment for its features and performance.

DPReview TV: Sony FX6 Review

The Sony FX6 is reviewed in comparison to the Sony a7S III. The FX6 is described as a cinema camera version of the a7S III. The review discusses how the FX6 compares to the a7S III and which one the reviewer would choose.

Sony FX6 reviewed – the lowlight cinema camera champion

The Sony FX6 is a lightweight and fully featured full-frame cinema camera. It has a larger sensor, new media options, higher frame rates, and XAVC-I 10bit 422 internal capture. The camera is small and light, with an adjustable smart grip and multiple mounting points for the monitor. It has two card slots that accept UHS-II or UHS-I SDXC cards, as well as CFexpress Type A cards for higher frame rates. The camera has flexible audio options with two XLR inputs and the ability to capture up to 4 channels at once. It has a 10.2 megapixel back-illuminated CMOS Exmor R sensor and offers S-Log3, S-Gamut3, S-Gamut3.Cine, and S-Cinetone. The FX6 features an electronic variable ND filter that allows for smooth transitions and a rack focus effect. It has fast hybrid autofocus with face-detect AF and real-time eye AF. The camera has impressive low light performance with an ISO range up to ISO 409,600. It offers multiple battery options and has a dynamic range of 15+ stops. The FX6 has a rolling shutter, but it is minimal and not a problem. It uses the Sony E Mount and has a wide range of lenses available. The FX6 is a solid cinema camera with incredible low light performance and high frame rate capture. The autofocus could be improved, but overall it is a great choice for narrative filmmaking, documentary filmmaking, run and gun videography, corporate and event videography, and marketing video production. The body of the camera is priced at $6,000, with kit options available.

5 Takeaways from Alister Chapman’s ‘Definitive’ Sony FX6 Review

The Sony FX6 is a powerful camera with a 10.2MP full-frame sensor and Bionz XR image processor. It offers 4K recording up to 120p with 10-bit 4:2:2 color depth. The camera has filmmaker-friendly features like built-in ND filters, XLR audio, and a modular design. The autofocus is impressive, with excellent tracking and face detection capabilities. The FX6 offers various recording modes, including 23.98fps and straight 24fps, and supports the widely accepted XAVC-I codec. It features S-Cinetone for a filmic look and has useful zebras for exposure monitoring. The Cine EI mode allows for log shooting and easy color grading. Overall, the FX6 delivers high-quality images and is a great addition to the Sony Cinema Line.

The New Sony FX6 - The Definitive Review by Alister Chapman

The Sony FX6 camera has dual card slots that can accept SD cards or CFExpress Type A cards. CFExpress cards offer faster transfer speeds. The camera can record in UHD and DCI 4K, with various frame rates available. It uses the same codecs as the FX9, allowing for 10-bit 4:2:2 recordings. The default setup includes the S-Cinetone gamma curve for a film-like look. Exposure aids include zebras and a signal monitor with waveform, vectorscope, and histogram displays.

Sony FX6 Review First Look – An Almost Perfect Camera

The Sony FX6 is a compact and lightweight camera that offers excellent recording quality and low-light performance. It has a versatile form factor and features like electronic variable ND filter and touch screen. The camera shares similarities with the a7S III and FX9, but offers unique capabilities such as RAW output without the need for additional accessories. It has impressive frame rates and autofocus functionality, making it a great choice for indie filmmakers. The FX6 is expected to be the successor to the FS7 and will be available in December for $5,998 or €5,500.

An Honest Review Of The Sony FX6 — Farmore

The Sony FX6 camera has a strong and durable top handle with great audio features. It is reliable and durable in various climates. The camera offers a variety of codecs and resolutions, with the XAV-L codec being recommended for long interviews or multicam shoots. The dual native ISOs of 800 and 12,800 provide excellent low light capabilities. The only downsides are the handle's locking mechanism, limited options in Super 35 mode, and the current difficulty in purchasing the camera due to supply chain issues. Overall, the camera is highly recommended with minimal issues.