Canon RF 28-70mm f/2L USM vs Canon RF 50mm f/1.2L USM

Anyone Using 28-70 f2 Lens to Replace Primes?

The reviewer considered the 28-70 f2 lens as a replacement for primes due to its light gathering capability and versatility. However, they found it bulky and heavy compared to the 24-70 f2.8 lens. The 28-70 f2 lens excels in soft backgrounds, low light situations, and is suitable for street photography and night sky shooting. It offers marginally better image quality than the 24-105 f4 lens but has limitations in low light. The reviewer recommends trying out the lens before purchasing due to its considerable weight.

a review of the RF 28-70 F2 (& the R6!) (wedding/engagement photographer): Canon EOS R Talk Forum: Digital Photography Review

The reviewer, a wedding/engagement photographer, provides a personal review of the Canon RF 28-70mm f/2 lens and the Canon EOS R6 camera. They mention that the lens is sharp and delivers excellent image quality, with pleasing color rendition and smooth bokeh. They also discuss the practicality of the lens, noting its weight and girth as potential drawbacks. However, they highlight the convenience of having a zoom lens for weddings and the flexibility it offers. The autofocus on the R6 is praised for its speed and accuracy. The reviewer concludes that the lens is special and usable, with benefits over a two-camera, two-prime lens setup. They also mention some lesser-known features of the R6, such as fast sensor readout time and the space-saving cRAW format.

canon 28-70 f2 review pro lens with with sample raw images

The Canon 28-70 f/2.0 RF lens is heavy and front-heavy, making it uncomfortable to use for extended periods. It has a beautiful build quality and versatile focal lengths, but the size and weight can be a drawback. The lens produces fantastic bokeh and handles blacklight well. The distortion is not a major issue, but the sunstar at f/22 is underwhelming. The lens is sharp and performs well at f/4.0. However, it may not be suitable for wedding photography due to its limited use in low light situations. Overall, it is a second-tier lens and may not be worth the $3,000 price tag unless it serves as a backup lens.

Canon RF 28-70mm f/2L USM lens review

The Canon RF 28-70mm f/2L USM lens is highly praised for its sharpness and versatility. It is a popular choice for wedding and portrait photography. However, its large size and weight make it less practical for travel. The lens produces outstanding image quality with minimal flare and distortion. It has a bright f/2 aperture and is weather-sealed. While it lacks image stabilization, the wider aperture compensates for it. Overall, it is considered a worthwhile investment for professional photographers.

Canon RF 28-70mm F2 L USM Lens Review

The Canon RF 28-70mm F2 L USM Lens is an extraordinary professional-grade lens with a wide aperture and a versatile focal length range. It offers excellent image quality and fast, accurate autofocus. The lens is well-built and weather-sealed. It is a bit expensive and heavy, but it is worth the investment for professionals. The lens is like having a set of prime lenses in one. It is a great choice for events, portraits, landscapes, and more. Overall, it is an outstanding lens that delivers exceptional image quality.

Canon RF 50mm F/1.2 L USM review: It’s worthy of the red ring

The Canon RF 50mm f/1.2 L USM is a premium lens with excellent image quality and construction. It has a fast aperture and is great for low-light photography. The lens is heavy and expensive, but it performs well in autofocus and has weather sealing. It lacks image stabilization and has some issues with fringing and vignetting. Overall, it is recommended for event, wedding, and portrait photographers using Canon mirrorless cameras.

Canon RF 50mm f/1.2L USM Review

The Canon RF 50mm f/1.2L USM lens is highly recommended for photographers entering the Canon R ecosystem. It is an essential focal length for many photographers. However, the price of $2,299.00 may be a deterrent for some, as it adds a significant cost to the camera. Canon's previous 50mm lens options were criticized, but this lens offers excellent quality. The middle-range EF 50mm f/1.4 USM lens has not been updated since 1993, despite calls from Canon shooters.

Canon RF 50mm f

The Canon RF 50mm f/1.2L lens is the world's most advanced f/1.2 lens. It has flawless optics, perfect focus accuracy, and is incredibly sharp even at f/1.2. It outperforms the EF 50mm f/1.2L on a 50MP camera. The lens is big and heavy, but offers exceptional image quality. It works only on Canon's EOS-R mirrorless cameras and is a great choice for those who demand the very best.

Canon RF 50mm F1.2 L USM Review

The Canon RF 50mm F1.2 L USM is a high-quality prime lens for photographers with a larger budget. It is an updated version of the popular EF 50mm f/1.2L USM lens, offering improved optics and performance. The lens is large and heavy, but it comes with dust and splash protection. It has two control rings for manual focus and other adjustments. The lens delivers excellent edge-to-edge clarity and has minimal distortion. It produces a pleasing vignette effect, especially at wider apertures. Overall, the RF 50mm F1.2 L USM is a top choice for photographers who want exceptional image quality and shallow depth of field.

Three Years With the Impressive Canon RF 50mm f/1.2L USM Lens

The Canon RF 50mm f/1.2L USM lens offers impressive image quality and performance. After three years and almost 70,000 photos, it remains sharp even at wide apertures and has reliable autofocus. It is highly recommended for wedding and portrait photographers, despite its premium price.

1.2 L USM lens: Canon SLR Lens Talk Forum: Digital Photography Review

The reviewer finds the Canon RF 50mm f/1.2 L USM lens to be sharp with nice falloff. However, they mention that the lens feels "cheap" due to its plastic shell and lacks image stabilization. The focus speed and noise are not stellar, and they are not a fan of the control ring. The lens is front-heavy and not enjoyable to use. Despite these negatives, the reviewer praises the lens for its state-of-the-art results, character, and out-of-this-world bokeh. They prefer the composite material used in RF L-lenses and find the control ring brilliant. The lack of image stabilization is not an issue for them due to good in-body stabilization. Overall, the lens is big and heavy but delivers premium results.

Canon 50mm 1.2 RF Review // after 100,000+ client images

The Canon 50mm 1.2 RF lens is highly recommended by the reviewer. It has been used extensively for over 100,000 images and has proven to be a reliable workhorse lens. The build quality is excellent, with a smooth matte finish and a well-placed control ring. The autofocus performance is sharp and snappy, comparable to Nikon lenses. The lens is sharp even at wide open aperture and performs well in small apertures. It struggles a bit in backlight scenarios but overall performs admirably. The lens renders colors and skin tones pleasingly. The bokeh, both foreground and background, is impressive and can turn scenes into paintings. Lens flare is minimal. The reviewer highly recommends this lens for Canon users, except for those on a tight budget using the RP camera body. For them, the adapted EF 50mm lens or Sigma lenses may be more suitable.

Canon RF 50mm F1.2 L USM Lens Review

The Canon RF 50mm F1.2 L USM Lens is a game-changer, delivering outstanding image quality at f/1.2. It is a versatile lens with a wide aperture, making it great for low-light conditions and creating a strong background blur. The lens has professional-grade build quality and fast, accurate autofocus. It is a must-have for serious photographers and professionals. However, it is expensive and moderately heavy. It also has some color fringing at f/1.2 and strong focus breathing. Overall, it is a highly recommended lens for those with the budget.

Canon RF 50mm F1.2L Review

The Canon RF 50mm F1.2L is a large, heavy, and expensive lens, but it offers exceptional performance. It is one of the best autofocusing 50mm lenses available and has a faster-than-typical maximum aperture of F1.2. The lens is well-built and weather-sealed, making it suitable for professional use. It delivers outstanding image quality with high resolution, contrast, and beautiful bokeh. The autofocus is accurate and works well in low light conditions. While the lens may not be for everyone due to its size and price, it is a top performer for those who can afford it.