Canon EOS C300 Mark II vs JVC GY-LS300

is the image worth the price?

The Canon C300 mkII has been a controversial camera due to debates about its image quality and dynamic range. While some tests show it has 12 usable stops of dynamic range, others claim it has 14. However, the camera's pleasing color rendition and the addition of an 'Alexa matching' profile called Production have received positive feedback. The C300 mkII performs well in artificial and mixed light, which is a weakness of Sony's line. The reviewer finds that the images from the C300 mkII look better than those from the Sony FS7, even without significant grading. The difference in color between the two cameras may be worth the higher price for some users. However, others may find that cameras like the F5, FS7, or FS5 are already good enough for their needs. The original C300 is still sufficient for many factual TV shooters, especially since most broadcasters have not yet moved to 4K. Ultimately, the decision on whether the C300 mkII's color matters will depend on individual preferences.

Canon C300 MKII Review: Part 1

The Canon C300 MK II is a camera that offers improved features and functionality compared to its predecessor. It has a similar size and weight, with a redesigned top handle that provides better stability. The camera now uses detachable audio/video cables, which are interchangeable and easier to repair. The power system has been upgraded, requiring new batteries that are more expensive. The camera has assignable buttons and improved focus features, including face detection and tracking. It also offers new options for slow motion and pre-record functions. The camera records to C-Fast 2.0 cards and has improved terminal outputs for monitoring and external recording. It now includes an internal microphone and the ability to record proxy files. Overall, the camera offers a range of new features and improvements for professional videographers.

Canon EOS C300 Review

The Canon EOS C300 is a midrange professional video camera that struggles to find its place in the market. It has a modular design with many buttons and controls, but it is quite bulky and heavy when fully loaded. The camera offers direct control over exposure settings and includes on-screen waveform and zebra highlights for exposure monitoring. It lacks an autoexposure mode, which may disappoint documentary filmmakers. The C300 has a variety of I/O ports and a removable handgrip and handle. The external LCD panel can be folded down but blocks some controls when folded. The camera records video at up to 1080p30 resolution with good color sample rate and bitrate. It uses an 8.3-megapixel Super35 image sensor with high ISO shooting capabilities. The autofocus system is capable but struggles in dim light. Overall, the C300 is a capable camera but its high price makes it a tough sell, especially when compared to the more affordable C100 Mark II or the higher-end C500.

Connecting IT to Broadcast

The Canon EOS C300 Mark II is a revamped version of the original C300 camera. It features a new sensor, high data rate memory cards, high bit depth recording, and a new codec. The camera supports 4K/2K film resolutions as well as UHD/HD, and offers a wide range of recording formats. It has improved ergonomics, including a flexible configuration and improved handle design. The camera has a wide color gamut and supports HDR recording. It also has autofocus with focus assist and can be remote controlled. Overall, the C300 Mark II is a versatile camera suitable for various productions.

Canon C300 Mark II Lab Test – Dynamic Range 2 Stops Less Than Expected

The Canon C300 Mark II camera, priced at $16,000, has been highly anticipated by customers. However, in a lab test, it was found to have a dynamic range of only 12.3 stops, instead of the claimed 15 stops. The camera also exhibited noise in dark areas, even at its base ISO of 800. Comparisons with other cameras showed that the C300 Mark II performed similarly to the Sony FS7, but fell short of the Arri ALEXA in terms of dynamic range and noise performance. The camera's high ISO capabilities were also found to be underwhelming. Overall, while the C300 Mark II had some advantages over the FS7, it did not meet expectations in terms of image quality.

JVC GY-LS300 4KCAM Handheld S35mm Camcorder for under $1900 USD

The JVC GY-LS300 is a unique camcorder with an S35 sensor and an MFT lens mount. It can use Super 35 lenses without vignetting. The Variable Scan Mapping technology allows it to use 4/3 MFT lenses and Super 16mm lenses for HD recording. It has 4K Ultra HD recording, 3 position ND filter, XLR audio inputs, and advanced streaming capabilities. The camera is currently on sale for under $1900 USD, making it a budget-friendly option for professionals.

RedShark Review: JVC’s GY-LS300 4K MFT camcorder

The JVC GY-LS300 is a 4K camcorder with a micro four-thirds lens mount that can be adapted to fit any type of lens. It has a full-sized super-35mm sensor and offers flexibility in terms of sensor size and resolution. The camera has physical switches for gain and white balance, a rotating filter wheel, and accepts SDXC cards for recording. The viewfinding is not the strongest point, but the camera has HDMI and SDI outputs for external recording. The standout feature is the Variable Scan Mapping system, which allows for flexible use of different lenses. The camera produces low noise images with good highlight handling and offers 12 stops of dynamic range. The LS300 is suitable for owner-operators and educational institutions.

Review: JVC GY-LS300, Part 2: Image Quality and Deliverables

The JVC GY-LS300 is compared to the Panasonic DMC-GH4 in terms of image quality and deliverables. The LS300 performs well in terms of latitude and image quality, with no flaring or artifacts. The JVC color science is considered better than the GH4. The camera's image-tweaking capabilities can improve its performance. The LS300 offers a LOG profile in its Firmware 2.0 update. The camera's ability to interpolate virtual sensor sizes varies, with some sizes being sharper than others. The choice of virtual sensor size becomes a creative choice. The LS300 is suitable for news production, corporate video, and event production. It is an affordable, interchangeable-lens, Super35/variable-sensor area, 4K/HD camcorder with internal streaming capability.

My review of the JVC LS300

The JVC LS300 is a lightweight and solid camcorder that feels like a DVX type. It is easy to set up and has intuitive controls. The camera has a MFT mount and a S35mm sensor, allowing for both normal MFT zoom and s35 wide angle. It offers 4K and 4:2:2 HD recording, log capabilities, prime zoom, external controls, built-in NDs, and XLR inputs. The audio wheels are clickless, which is a minor complaint. Overall, it shows promise as a versatile camera for both run n gun and cinema, and is suitable for vintage lens enthusiasts.

Is the JVC LS300 still a competitive camera today? at DVinfo.net

The JVC LS300 camera cannot record 4K50/60p internally, requiring an external HDMI recorder. The Blade recorder can only accept 1080i/p signals, not 4K. The camera's output resolution must be set separately in the A/V Set menu. Internal recording options determine the available output signals, with 4K50/60p requiring external recording. The HDMI output matches the internal frame rate, except for 4K50/60p. The reviewer tested these settings with an Atomos Ninja Assassin recorder.

Testing out the JVC GY-LS300- A 4K budget Super 35mm camera with a Micro 4/3 Mount

The JVC GY-LS300 is a compact and lightweight camera that offers 4K internal recording. It has a Super-35mm-sized sensor with a Micro 4/3 mount, allowing for a wide range of lens options. The camera has good image quality, with 12 stops of dynamic range and a base ISO of 400. It offers various recording options, including 4K UHD and HD in different formats. The camera has a customizable picture profile and audio controls with XLR inputs. The build quality is average, and the rear EVF is not very good. The camera is easy to use and offers live streaming capabilities. Overall, the JVC GY-LS300 offers good value for money and delivers on image quality.

JVC GY-LS300 Review

The JVC GY-LS300 is a versatile 4K camcorder with a Super 35 image sensor and a Micro Four Thirds mount. It can use a wide variety of lenses with optional adapters. The camera has a compact design and is easy to use. It can record in two formats simultaneously and stream wireless video. The image quality is crisp and vivid, with the sharp detail expected from 4K Ultra HD. The camera has built-in stereo microphones and a removable handle with XLR inputs. It also has a flip-out LCD display and a color viewfinder. The GY-LS300 records 4K Ultra HD video to SDHC or SDXC memory cards and can also record in HD. It has a variety of recording options and outputs, including HDMI and SDI. The camera has network functions for remote control and live streaming. Overall, the JVC GY-LS300 is a versatile and feature-rich camcorder that delivers high-quality video.