Canon EOS C300 Mark II vs Canon EOS C700

is the image worth the price?

The Canon C300 mkII has been a controversial camera due to debates about its image quality and dynamic range. While some tests show it has 12 usable stops of dynamic range, others claim it has 14. However, the camera's pleasing color rendition and the addition of an 'Alexa matching' profile called Production have received positive feedback. The C300 mkII performs well in artificial and mixed light, which is a weakness of Sony's line. The reviewer finds that the images from the C300 mkII look better than those from the Sony FS7, even without significant grading. The difference in color between the two cameras may be worth the higher price for some users. However, others may find that cameras like the F5, FS7, or FS5 are already good enough for their needs. The original C300 is still sufficient for many factual TV shooters, especially since most broadcasters have not yet moved to 4K. Ultimately, the decision on whether the C300 mkII's color matters will depend on individual preferences.

Canon C300 MKII Review: Part 1

The Canon C300 MK II is a camera that offers improved features and functionality compared to its predecessor. It has a similar size and weight, with a redesigned top handle that provides better stability. The camera now uses detachable audio/video cables, which are interchangeable and easier to repair. The power system has been upgraded, requiring new batteries that are more expensive. The camera has assignable buttons and improved focus features, including face detection and tracking. It also offers new options for slow motion and pre-record functions. The camera records to C-Fast 2.0 cards and has improved terminal outputs for monitoring and external recording. It now includes an internal microphone and the ability to record proxy files. Overall, the camera offers a range of new features and improvements for professional videographers.

Canon EOS C300 Review

The Canon EOS C300 is a midrange professional video camera that struggles to find its place in the market. It has a modular design with many buttons and controls, but it is quite bulky and heavy when fully loaded. The camera offers direct control over exposure settings and includes on-screen waveform and zebra highlights for exposure monitoring. It lacks an autoexposure mode, which may disappoint documentary filmmakers. The C300 has a variety of I/O ports and a removable handgrip and handle. The external LCD panel can be folded down but blocks some controls when folded. The camera records video at up to 1080p30 resolution with good color sample rate and bitrate. It uses an 8.3-megapixel Super35 image sensor with high ISO shooting capabilities. The autofocus system is capable but struggles in dim light. Overall, the C300 is a capable camera but its high price makes it a tough sell, especially when compared to the more affordable C100 Mark II or the higher-end C500.

Connecting IT to Broadcast

The Canon EOS C300 Mark II is a revamped version of the original C300 camera. It features a new sensor, high data rate memory cards, high bit depth recording, and a new codec. The camera supports 4K/2K film resolutions as well as UHD/HD, and offers a wide range of recording formats. It has improved ergonomics, including a flexible configuration and improved handle design. The camera has a wide color gamut and supports HDR recording. It also has autofocus with focus assist and can be remote controlled. Overall, the C300 Mark II is a versatile camera suitable for various productions.

Canon C300 Mark II Lab Test – Dynamic Range 2 Stops Less Than Expected

The Canon C300 Mark II camera, priced at $16,000, has been highly anticipated by customers. However, in a lab test, it was found to have a dynamic range of only 12.3 stops, instead of the claimed 15 stops. The camera also exhibited noise in dark areas, even at its base ISO of 800. Comparisons with other cameras showed that the C300 Mark II performed similarly to the Sony FS7, but fell short of the Arri ALEXA in terms of dynamic range and noise performance. The camera's high ISO capabilities were also found to be underwhelming. Overall, while the C300 Mark II had some advantages over the FS7, it did not meet expectations in terms of image quality.

Canon EOS C700 Cinema Camera

The Canon EOS C700 Cinema Camera is a production-ready camera with a 4.5K CMOS image sensor and a dynamic range of 15 stops. It can record 4K at 60p to CFast 2.0 cards and offers ProRes formats for direct-to-edit workflows. The camera has a familiar user interface and a variety of I/O options. Its modular design allows for customization, and it supports native V-mount battery.

Canon EOS C700 Video Camera

The Canon EOS C700 Video Camera is praised for its nice details and would look great on a tripod in a field. The reviewer also mentions a magnificent review of a Sony camera and expresses interest in learning the techniques used. The model is commended for its stunning design and the absence of booleans in its creation. The reviewer shares an example render and wireframe to showcase the mesh generation process. Lighting setup is also discussed, with the use of point lights and an Irradiance Volume. The reviewer is highly regarded for their mastery of product showcases using Blender.

Review: Canon C700 FF Cine Camera, Part 2 by Adam Wilt

The Canon C700 FF Cine Camera is a highly capable full-frame camera that offers consistent image quality and usability. It features a 5.9K full-frame sensor with S35 and S16 crop modes, allowing for versatile shooting options. The camera captures 15 stops of dynamic range and has Canon's well-regarded colorimetry. It offers both XF-AVC Intra and ProRes recording at 4K and 2K resolutions, with 10-bit 4:2:2 data. The camera has a user-friendly design with a six-button side panel and a full HD OLED EVF. It also has a variety of focusing and exposure monitoring aids, such as image magnification, peaking, zebra, false color, and waveform monitor. The EF-mount version of the camera includes Canon's dual-pixel autofocus and manual focus-assist features. Overall, the Canon C700 FF is a reliable and high-quality cine camera that delivers consistent and impressive results.

First Impressions Of Canon’s Brand New C700 Cinema Camera

The Canon C700 cinema camera has been announced, but it comes with a high price tag of $28,000 for the body alone. It offers 4K recording, 60fps, and good dynamic range, but lacks features like internal RAW recording and higher frame rates. The camera seems to be targeting the high-end market, but it may struggle to compete with other cameras in that range, such as the Arri Amira and Sony F55. Canon's pricing strategy may need adjustment to attract more buyers.

Are There Any Canon C700 Full Frame Reviews?

The Canon C700 Full Frame camera performs well in low light conditions, but it can be noisy in the shadows at high ISOs. It is important to expose carefully and use noise reduction to achieve good results. The camera's internal meter and experience with the camera are crucial in low light scenarios. The sensor can produce magenta noise and banding if underexposed. While it has better low light performance than most cinema cameras, it is not on par with the A7S. The Gemini camera is also worth considering. Overall, the Canon C700 Full Frame is a reliable option for shooting at high ISOs with proper exposure and noise reduction.

Canon EOS C700 Cinema Camera Review

The Canon EOS C700 Cinema Camera is a versatile and reliable camera that produces amazing pictures with beautiful color reproduction. It features dual pixel CMOS auto focus and face detection, which is quick and accurate. The camera supports EF mount lenses and can easily be changed to PL mount. The C700 has a dynamic range of 15 stops and offers a Super 35mm, shoulder mount, 4K camera with various connectivity options. It also has a user-friendly menu system and supports wireless file transmission. The camera is compatible with accessories from leading manufacturers like Arri. Overall, the reviewer is extremely satisfied with the C700 and finds it easy to use and shoot with.

Review: Canon C700 FF Cine Camera, Part 1 by Adam Wilt

The Canon C700 FF is a full-frame cine camera with a rectangular body and control layout similar to other large cine cameras. It has a 17:9 full-frame sensor and captures up to 15 stops in raw and log. The camera offers slow & fast frame rates, a native ISO of 200, and internal ND filters. It has a six-button side panel and is compatible with EF lenses. The camera is priced at $33,000 and offers high image quality and reliable performance. The design and handling of the camera are well thought out, with intuitive controls and menus. The camera offers various displays and outputs, including an optional EVF. It supports different frame sizes, frame rates, and recording formats, including XF-AVC and ProRes. The camera also has audio recording capabilities with four channels of audio and various audio settings.

Canon EOS C700 Cinema Camera Review

The Canon EOS C700 is a flagship cinema camera that offers advanced color science, dynamic range, and a reliable broadcast camera experience. It has a flexible rigging system, a choice of EF or PL mount, and extensive connectivity options. The camera features a dual pixel CMOS AF for accurate focusing and a user-friendly menu system. It has built-in mechanical ND filters and supports various accessories. However, it has some downsides such as limited battery life and a high price tag. Overall, the C700 is a solid movie-making machine with excellent image quality.