Canon EOS C100 Mark II vs Sony FX6

by Steve Mims: Review: Canon Cinema EOS C100 Mark II at DVinfo.net

The review discusses the debate around the necessity of 4K in the Canon Cinema EOS C100 Mark II. The reviewer points out that while 4K is not a useless feature, it brings added expenses in terms of processing power and file sizes. They also highlight the advantages of 4K and mention that the lack of 4K in the C100 Mark II doesn't make it a useless camera. The reviewer compares the C100 Mark II to the GH4 and explains why they prefer the C100 for shooting events. They mention the better light sensitivity, audio options, and on-camera tools of the C100. The reviewer also discusses the limitations of shooting 1080p on a 4K camera and compares the image quality of the GH4 and Canon.

Review: Canon Cinema EOS C100 Mark II

The Canon Cinema EOS C100 Mark II is a highly praised camera that offers a range of features and improvements over its predecessor. It has an intuitive menu, ergonomic design, and a compact battery system. The built-in AVCHD recording is elegant and inexpensive, and setting up an external ProRes recorder is easy. The camera is solidly built and has no systemic failures. The new OLED screen and viewfinder are bright and sharp, making operating the camera a pleasure. The DIGIC DV4 processor reduces noise in the image, and the new Canon lenses are sharp and affordable. The camera's range of usable ISO settings is a standout feature. While it doesn't offer 4K output, the reviewer doesn't see this as a major drawback, as 2K projection still looks great. The need for 4K is questioned, as it is not yet a broadcast requirement and may primarily be driven by manufacturers' desire to sell new products. Overall, the Canon C100 Mark II is a well-engineered camera that delivers excellent results at a reasonable price.

Why I actually like it

The reviewer, Matt Allard, likes the Canon C100 Mark II despite its lack of high frame rates and 4K recording. He believes that for run and gun users, web content creators, and event shooters, 4K is not essential and can be a hindrance. The camera's affordable SD media, long battery life, and compact size make it convenient for on-the-go shooting. The autofocus system works well, but the internal microphone is not usable in windy conditions. The camera's image quality is good, although the reviewer found the blacks to be crushed in C-Log. Overall, the C100 Mark II is a solid choice for HD recording.

DPReview TV: Sony FX6 Review

The Sony FX6 is reviewed in comparison to the Sony a7S III. The FX6 is described as a cinema camera version of the a7S III. The review discusses how the FX6 compares to the a7S III and which one the reviewer would choose.

Sony FX6 reviewed – the lowlight cinema camera champion

The Sony FX6 is a lightweight and fully featured full-frame cinema camera. It has a larger sensor, new media options, higher frame rates, and XAVC-I 10bit 422 internal capture. The camera is small and light, with an adjustable smart grip and multiple mounting points for the monitor. It has two card slots that accept UHS-II or UHS-I SDXC cards, as well as CFexpress Type A cards for higher frame rates. The camera has flexible audio options with two XLR inputs and the ability to capture up to 4 channels at once. It has a 10.2 megapixel back-illuminated CMOS Exmor R sensor and offers S-Log3, S-Gamut3, S-Gamut3.Cine, and S-Cinetone. The FX6 features an electronic variable ND filter that allows for smooth transitions and a rack focus effect. It has fast hybrid autofocus with face-detect AF and real-time eye AF. The camera has impressive low light performance with an ISO range up to ISO 409,600. It offers multiple battery options and has a dynamic range of 15+ stops. The FX6 has a rolling shutter, but it is minimal and not a problem. It uses the Sony E Mount and has a wide range of lenses available. The FX6 is a solid cinema camera with incredible low light performance and high frame rate capture. The autofocus could be improved, but overall it is a great choice for narrative filmmaking, documentary filmmaking, run and gun videography, corporate and event videography, and marketing video production. The body of the camera is priced at $6,000, with kit options available.

5 Takeaways from Alister Chapman’s ‘Definitive’ Sony FX6 Review

The Sony FX6 is a powerful camera with a 10.2MP full-frame sensor and Bionz XR image processor. It offers 4K recording up to 120p with 10-bit 4:2:2 color depth. The camera has filmmaker-friendly features like built-in ND filters, XLR audio, and a modular design. The autofocus is impressive, with excellent tracking and face detection capabilities. The FX6 offers various recording modes, including 23.98fps and straight 24fps, and supports the widely accepted XAVC-I codec. It features S-Cinetone for a filmic look and has useful zebras for exposure monitoring. The Cine EI mode allows for log shooting and easy color grading. Overall, the FX6 delivers high-quality images and is a great addition to the Sony Cinema Line.

The New Sony FX6 - The Definitive Review by Alister Chapman

The Sony FX6 camera has dual card slots that can accept SD cards or CFExpress Type A cards. CFExpress cards offer faster transfer speeds. The camera can record in UHD and DCI 4K, with various frame rates available. It uses the same codecs as the FX9, allowing for 10-bit 4:2:2 recordings. The default setup includes the S-Cinetone gamma curve for a film-like look. Exposure aids include zebras and a signal monitor with waveform, vectorscope, and histogram displays.

Sony FX6 Review First Look – An Almost Perfect Camera

The Sony FX6 is a compact and lightweight camera that offers excellent recording quality and low-light performance. It has a versatile form factor and features like electronic variable ND filter and touch screen. The camera shares similarities with the a7S III and FX9, but offers unique capabilities such as RAW output without the need for additional accessories. It has impressive frame rates and autofocus functionality, making it a great choice for indie filmmakers. The FX6 is expected to be the successor to the FS7 and will be available in December for $5,998 or €5,500.

An Honest Review Of The Sony FX6 — Farmore

The Sony FX6 camera has a strong and durable top handle with great audio features. It is reliable and durable in various climates. The camera offers a variety of codecs and resolutions, with the XAV-L codec being recommended for long interviews or multicam shoots. The dual native ISOs of 800 and 12,800 provide excellent low light capabilities. The only downsides are the handle's locking mechanism, limited options in Super 35 mode, and the current difficulty in purchasing the camera due to supply chain issues. Overall, the camera is highly recommended with minimal issues.